NEWS

October Update

Process, Stages, Status Charts

In the October Update, view the Round Table Collaboration process depicted in a 30-second, annotated video; compare and connect the project’s developmental and periodic stages; see sample status charts with interpretations.

Six weeks in, as expected, progress is all over the place. Check out the galleries, keep in touch with your group, and contact the project coordinator with any questions or concerns.


Review the Process

The process depicted in a 30-second, annotated video.

In the video, participants are drawing and pushing papers to their table neighbors. In the Postal Collage Project, collaborators collage and deliver by mail.


The Stages—Developmental and Periodic

Each collage has six developmental stages: Initiation, Contribution (x4), and Completion. 


A ‘stage-one’ collage has been in the hands of one person, its originator. A stage-one collage is also called a ’starter.’ When a starter arrives to its first ‘contributor,’ it becomes a ‘stage-two’ collage; it’s been in the hands of two collaborators. NOTE: Each developmental stage includes the sub-stage, delivery. A stage is not complete until the delivery is accomplished. 

The Schedule has six periodic stages: the six months from September through February.


By design, each developmental stage occurs during the corresponding periodic stage. In reality, the pace of development varies. When the developmental stage does not match the periodic stage, a collage is said to be either behind or ahead of schedule.

Stage 1 :: Initiation ………………September
Stage 2 :: Contribution-1……….October
Stage 3 :: Contribution-2……….November
Stage 4 :: Contribution-3……….December
Stage 5 :: Contribution-4……….January
Stage 6 :: Completion………….…February


Status Charts


Each Postal Collage group has a unique status chart linked on its group-gallery page, just below the delivery sequence. The charts are updated in the background—by a human being—according to details provided in progress reports. Report progress.

The sample chart above reflects zero progress reports. All charts begin like this.

ROWS and COLUMNS

The top two rows [1,2] show the relationship between the periodic and developmental stages.
Each of the next five rows [3–7] represents one, specific collage, developing left to right.
Each collage has a unique ID in column A—the group number plus a letter (a—e).
The name of the originator appears in the September/STAGE-1 column [B], and again in the February/STAGE-6 column [G].
In between [C–F], the names of the contributors are listed left to right, stage by stage, month by month, according to the delivery sequence.
Delivery to HQ is listed on the far right, at the end of the sequence.

COLOR KEY and SAMPLES

The color key is not meaningfully associated with any columns. It’s laid out horizontally—in row 9—for design purposes only.

ABOVE: All five ‘starters’ have been sent [green] and received [orange], and have become stage-two collages. If it’s October—they’re all on schedule.

ABOVE:
• Ali’s collage (99a) is with Eva (stage 5)
• Ben’s original (99b) is in transit to Ali (stage 4)
• Cal’s collage (99c) is missing in transit to Eva (stage 2)
• Dan’s (99d) is in transit to Cal (stage 4)
• Eva’s (99e) is with Cal (stage 4)
If it’s December—Ali’s is ahead of schedule, Cal’s is behind, and the others are on time.



First Delivery Deadline

Yesterday, the 1st of October, was the first Postal Collage delivery deadline. Your starter collage should be in the hands of your send-to person, and the collage started by your get-from person should be in your hands. Report progress.

Many collages are right on time; some are ahead of schedule and some are behind. If you receive a collage that is ahead of schedule, there’s no need to maintain the pace. If you’re holding a collage that is behind schedule, please contact your send-to person with an update, and do what you can to move it forward—the sooner the better. Review the schedule.

If you’ve been unable to connect with your send-to or get-from persons, please contact the project coordinator: marty@berkeleycommonplace.org

Some Starters

Some posts copied from some group galleries, in no particular order.

Andrea Mullarkey, Group 23

September 12, 2026, GROUP 23
Having settled on 3.5″ x 5″ as our starting size I went to my postcard stack and found this one…a classic Pot Shots that was given to me as part of a pack from my uncle Casey decades ago. Most were funny or philosophical or somehow prescient. But this was an odd one; I didn’t know what to make of this one. Well, it turns out we’re going to be making a collaborative collage out of this one.
I started with the postcard, embroidered a heart behind the fence and sent it off to Jill.

Stephanie Laws, Group 64

September 12, 2026, GROUP 64
On the Road Again. I referenced Willie Nelson’s song as my project concept.
I’m sending my starter collage to Ellen on 9/14/26. An exciting 6 months awaits us

Christie Desrosiers, Group 82


September 11, 2026, GROUP 82
Our group is off and running. I received Mindy’s, added some things and am sending Mindys and My collages today off to Monica.

Ben Hoz, Group 80

September 12, 2026, GROUP 80
In the last couple of years I have been using newspaper in my art work because it has become an interwoven element in the fabric of our daily lives. Good news, bad news, somehow we have to deal with it. This time I tried something new. I drenched the newspaper strips in glue and slapped them or let them fall onto a big piece of corrugated cardboard. So there is an element of randomness. From there I selected several cutouts. I am in two groups and I like the idea of a single origin that gets split and from there becomes two starters. I am excited to see how the two will evolve on their separate journeys. At some point in the process I realized that i signed up for the low cost, letter sized flexible mail category. So I had to delaminate the corrugated cardboard. Not easy! It got thin in some spots. Which required me to glue that onto a new piece of paper for support.
Hope you all get inspired from each other and have fun.
Sorry for the lengthy comment. Usually I keep them to a minimum.

Bar Lowenberg, Group 72

September 8, 2026, GROUP 72
My starter collage for Round 16
Strawberry Fields Forever

Heads up – Stay flexible.
When I went to mail my 10″ x 10″ collage, USPS said it was too stiff and did not qualify as a “large envelope”. They wanted to charge $8+ as a “package”. So, I then stripped out the corrugated cardboard backing, and now it’s in the mail for $1.98. Update: it arrived on time, intact and ready for the next iteration.

Thomas H Boreman, Group 72

September 14, 2026, GROUP 72
This is my first year being involved in this collaboration, and while I find it a bit intimidating and out of my comfort zone, it’s exciting to work together on a mutual art piece. I’m sure to learn a lot along the way. Thomas’s Collage (its name for now!) is 8 1/2 x 11 on 24 lb. paper. Since I work mostly in abstract, I began as usual with some brayered-on color, marks in black and white, asemic writing, and a bit of sheet music. Thanks to Bar for his suggestion to make it as flexible as possible for mailing. I mailed it today (for $1.98), September 14, to Becky, who should receive it in about 4 days.

Miranda Wensel, Group 36

September 14, 2026, GROUP 36
I began my collage thinking about what it means to be a woman in our society. And by chance, I had in my stash of art/collage materials this incredible head! Hair in process of being curled maybe, make up on, who is she? Who am I as i think about my role of wife, mother, artist. I can’t wait to see this piece progress.

artist 48073, Group 32

September 2, 2026, GROUP 32
26088 – being sold –
artist 48073 starter collage.

Flat-Flexibility Test

Flexibility Test for Flats (Large Envelopes)

SOURCE: USPS Domestic Mail Manual, Section 101: Physical Standards for Letters, Flats, and Parcels
NOTE: Flats are also called ‘Large Envelopes.’ Parcels are also called ‘Packages.’

Dimensions and Weight

Letters and Flats are distinguished from Packages by their combined flexibility and uniform thickness. Letters and flats are distinguished from one another by their dimensions:
• Letters can be a maximum of 11-1/2″ (292mm) long x 6-1/8″ (155mm) high, with a uniform thickness of up to 1/4″ (6mm). 
• Flats (Large Envelopes) are more than 11-1/2″ (292mm) long—OR— more than 6-1/8″ (155mm) high. They can be a maximum of 15″ (381mm) long and 12″ (305mm) high, with a uniform thickness of up to 3/4″ (19mm).
• The maximum weight for Letters is 3.5 oz (100g); the maximum weight for Flats is 13 oz (368g).

In addition to boxes, rigid envelopes are considered packages; flexible, lumpy envelopes are too, in some cases.
 NOTE: Flat, flexible envelopes marked DO NOT BEND may also be considered Packages.

Status Charts

Each of the 95 groups has a unique status chart linked on its group-gallery page, just below the delivery sequence. The charts are updated in the background—by a human being—according to details provided in progress reports.

ROWS and COLUMNS


The top two rows show the relationship between the calendar and the schedule. Each of the next five rows represents one, specific collage. Each collage has a unique ID—the group number plus a letter (a—e). The name of the originator appears in the September/STAGE 1 column, and again in the February/STAGE 6 column. In between, the names of the contributors are listed left to right, stage by stage, month by month, according to the delivery sequence. Delivery to HQ and arrival at HQ are listed on the far right at the end of the sequence.

COLOR KEY

The color key should not be associated with any columns. It’s laid out in a row, i.e., horizontally, for design purposes only.
In this sample, Ali’s original has been sent, and is on its way to Jennifer. Christine’s original has been sent, and Pete has received it. The other three collages have not yet been sent. In September, nothing can be behind schedule, but if the chart looked like this on the 1st of October, only Christine’s collage would be on time.

Group Galleries

Each of the 95 working groups has its own, publicly-viewable ‘gallery.’ The galleries are for all manner of non-private project discussion and documentation. Collaborators are encouraged to explore and experiment.

Group-Gallery Links
https://berkeleycommonplace.org/group-gallery-links-3/

PROGRESS REPORTS
Among other things, the galleries are useful for simple progress reports—to notify fellow collaborators of deliveries and delays.

STATUS CHARTS
Each group has a status chart linked on their gallery page. The chart indicates the current situation of each collage according to progress reports. Charts update in the background according to reported details.

IMAGES
In addition to before/after and process pictures of works-in-progress, images of project environments—workspaces, mailboxes, and post offices—are appreciated.

Getting Going

GETTING STARTED

First Steps
Share your mailing address with the person who will be sending to you (your ‘get-from‘ person). When your ‘send-to‘ person shares their mailing address with you, please confirm receipt. Group contact information was sent in an email with the subject line: Postal Collage WORKING GROUP. If you are unable to connect with your ‘send-to’ or ‘get-from’ persons, please let me know. marty@berkeleycommonplace.org

Create a ‘starter’ collage and an informational sheet. NOTE: Each and every collaborator starts a collage. In the end, everyone will finish the collage they, themselves, started; each group-of-five will produce five collages. Review the Project Description.

If you are in a ‘low-postage’ group, be sure to make your collage—and packaging—flexible and flat. Review the details.

GOING FORWARD

First Deadline
The first delivery deadline is the 1st of October. By that date, your starter collage should be in the hands of your ‘send-to’ person. Accordingly, also by the 1st of October, the collage initiated by your ‘get-from’ person should be in your hands.

If at any time you’re unable to continue—it’s okay to withdraw.

I’m eager to answer questions and address concerns. Feedback and comments are welcome and much appreciated.

Answers

The answers to many of the most frequently asked questions can be found in the Project Description (also called the Project Description, Notes, and Schedule). It spells out the process, stage by stage; it indicates the obligations and entitlements of participation; and it provides a schedule of delivery deadlines with ‘sent-by‘ recommendations.

Project Description, Notes, and Schedule
https://berkeleycommonplace.org/postal-collage-project-description/

If you can’t find what you’re looking for—or if you’d rather inquire of a person than search a webpage—I’m happy to answer questions, address concerns, or provide clarification by email: marty@berkeleycommonplace.org

Launch No.16

The 16th annual Postal Collage Project launched on the 1st of September, 2026. As of the 7th of September, we are 465 collaborators—265 returning and 200 participating for the first time—working in 95 groups across eleven countries, including 41 states in the usa.

Postal Collage Project No.16
https://berkeleycommonplace.org/postal-collage-16/

Countries (11)

Australia (2)
Austria (1)
Canada (18)
England (5)
France (3)
Germany (1)
Netherlands (2)
Spain (3)
Sweden (1)
Switzerland (2)
United States (427)

States, USA (41)

Alabama (1)
Arkansas (1)
Arizona (3)
California (220)
Colorado (6)
Connecticut (2)
Florida (9)
Georgia (5)
Hawaii (2)
Idaho (1)
Illinois (8)
Indiana (6)
Kansas (1)
Kentucky (1)
Louisiana (1)
Massachusetts (8)
Maryland (1)
Maine (6)
Michigan (2)
Minnesota (2)
Missouri (1)
Montana (1)
North Carolina (6)
Nebraska (1)
New Hampshire (1)
New Jersey (4)
New Mexico (1)
Nevada (1)
New York (16)
Ohio (8)
Oklahoma (1)
Oregon (40)
Pennsylvania (21)
South Carolina (1)
Tennessee (2)
Texas (5)
Utah (2)
Virginia (3)
Washington (19)
Wisconsin (5)
Wyoming (1)